Douglas Kahn is Director of Technocultural Studies at University of California at Davis. With research concentrations in auditory culture, the history and theory of sound in the arts, and new media arts, he is the author of Noise, Water, Meat: A History of Sound in the Arts (MIT Press, 1999), coeditor of Wireless Imagination: Sound, Radio and the Avant-garde (MIT Press, 1992), and editor of an ongoing book series, “Auditory Culture”, from MIT Press. His catalogue essays, journal essays, book chapters and magazine articles on contemporary media artists, sound artists and musicians have appeared internationally, and have included writings on Christian Marclay, Paul DeMarinis, James Tenney, Joyce Hinterding, Nigel Helyer, and Rosemary Laing. He edited a special issue of Leonardo Music Journal on Australian new music and sound art, and organized “Audio Ideas”, a symposium and performance series on post-techno electronic music, at Artspace Sydney. He produced radio art and “new documentary” for ABC-Radio (Australia), was a frequent commentator on national radio in Australia, and collaborated with Frances Dyson in writing and media production through the company Liminal Product. He has a Ph. D. in art history, an M.F.A. in “post-studio arts” (Cal Arts), and an M.A. in experimental music composition from Wesleyan University, where he studied with Alvin Lucier and Ron Kuivila.